Roaming in Rome

Once again we are in Rome and have been for the last week. We are waiting to fly back to the UK today.

This is our second recent visit to the capitol city of Italy and it was very different from the last. Not only was the last in May when it was hot and dusty, but this was in winter when there was rain, cold and even temperatures around freezing. We had thunder too. Unlike last time the hotel was slightly further out from the tourist sites and I shall outline the lessons from this when we return. In fact I have several lessons to point out about travelling as a photographer with a project and images in mind. My aim was to capture the people of Rome, the tourists, and how they contribute to the city. The impressions I got of Rome this time were noise, chaos and graffiti and dirt. I hope to portray this more in my images than the last trip where I aimed to look at the romanticism. Both trips I hoped to portray the juxtaposition of the history and the modern.




For images from the previous trip look at the Rome gallery by clicking here.

Snowed in for a day at Keldy Forest - tips for snow photography

Keldy Forest
Nikon D800E 16-35 f4

We spent the weekend in Keldy Forest in North Yorkshire. Having driven there in driving snow by Saturday morning it was so deep that the road was closed. This was very exciting for the kids. From my perspective I had a camera and a tripod and was hoping to capture some minimalist and dramatic snowscapes.

Keldy Forest
D800E 70-200 f2.8

Photographing the open spaces that are accentuated by the snow is of course an exposure challenge and some of the images here were shot 3 stops overexposed, with the snow being a great minimaliser. The forest itself was stunning with some of the tree trunks covered in patches of snow.

Beware walking on soft snow that has fallen on ground that is not frozen. I have heard of photographers getting stuck in mud under deep snow, and falling, thereby dropping their gear, and cameras do not like a bath in snow.

Keldy Forest
Nikon D800E 16-35 f4
Beware the cold reducing battery power and therefore make sure you have enough with you.

Be aware that the exposure is difficult and therefore check your histogram or bracket - in general add light.

Make sure your tripod is steady. This can be difficult in deep soft snow that has fallen on soft ground. The only tip I have is to push the tripod legs into the snow and ensure it is steady before you expose the shot.


Keldy Forest
Nikon D800E 16-35 f4
Remember that walking in deep snow is tiring and so be aware how far you are going and do not allow yourself to become so engrossed in the beauty of the landscape to forget where you are and what you are doing.

If you have any further tips please let me know them.

Beach photography tips





I spend a lot of hours by the sea photographing the coast, usually taking long exposures. I am often asked for tips on my approach and how to do it. So Here are a few of the common tips I pass on.

1. Know the tides.
2. Know where the sun will be.
3. Make sure you have suitable footwear.
4. Have a bag that protects your gear from the sand and make sure the bag is put down well away from the surf and out of the range of the waves. Remember the rogue wave. Rucksacs/backpacks can be a problem as you can get coved in wet sand. The Lowepro Flipsides are good to prevent this or use a shoulder bag.



5. Use flat feet for your tripod or rest the legs on pebbles. I usually do the latter as I forget the feet or do not want to carry them.
6. Watch the weather. I have been caught when I have been so engrossed in the scene and I got drowned by a rain storm. Beaches can be very isolated and have no protection. I always carry waterproofs in my bag, but even so it can be miserable.
7. Unless you want people, dogs or footprints go to isolated places, go very early or as the tide recedes.





Dawn and coast erosion at Hunmanby Gap

I was present at dawn this morning at Hunmanby Gap on the North Yorkshire coast just south of Filey. I had remained close to home as I had ordered some new kit from one of the top UK photographic retailers with a large internet presence based on the east of the island and paid for it to be delivered on a Saturday. Waiting in all day I found out that Parcelforce could not find my house, despite the fact that they had the same address as usual and had delivered here many times before. The delivery services are so important to online sales as the image of the company one purchases from is damaged by the poor service that many of the couriers provide. Suffice to say I am considering purchasing from another company now that uses a different carrier and expect a refund of the extra money spent to get a Saturday delivery.

Back to the pleasures of life - Hunmanby Gap like most of the Yorkshire coast is collapsing. There has been a major collapse just beneath one of the churches in Whitby - easily seen from the pier and I have so far photographed cliff collapses in Filey and here. I have been documenting the erosion photographically for several years now.

Hunmanby Gap cliff erosion Jan 2013
Nikon D800E 16-35@16mm 3s@f11


Hunmanby Gap is usually quiet and has fewer dog walkers than many of the beaches in the area. Therefore one can do long exposures more easily and there are fewer footprints in the sand. At low tide there are many different natural beach features to use as foregrounds, including some coloured pebbles and stones. As I like calm muted colour sand  monochromes I concentrated today on the flow of water from a 'stream' through the sand.

Blue flow (Euterpe I)
Nikon D800E 16-35@16mm 191s@f11

New year - new style

My photography has evolved in the last 12 months particularly. I use it to relax and convey calm, but until now have not particularly displayed this side of my image making. I have always taken images that try to provoke thought and emotion and this year will be taking fewer images of the documentary type of landscape and displaying more of the images I have been making for myself. Therefore I will be displaying colour as well as monochrome. However I am not a great fan of the somewhat cliche over saturated colours of the majority of colour landscapes, although some of the natural skies can be very bright at times.

Terpsichore I
Scarborough North Bay
D800E 16-35 @26mm 1/6@f16

This is one of a series of images I am working on inspired by The Muse Terpsichore. I love the light and reflections in this. Some of the sandy beaches on the Yorkshire coast are flat enough to have a sheen of water that is great for reflections and I often use this in my images of the coast. On this day the beach was full of people, mainly walking their dogs. The south end of the north bay is usually quieter and has areas of wet sand that reflect and I knew I would be able to grab this image. I like the slight blur in the people which helps to anonymise them.

New year on the beach

New Year walking I, Scarborough, North YorkshireNex 7 E55-210 1/400@f9

Metered off the sunlight reflecting off the waves and exposed again to silhouette the people. In this image the sun is rim lighting the man's head.

Another holiday season over and the beaches were crowded on New Years Day with the traditional walk on the beach. This was increased this year on the Yorkshire coast because of the terrible weather and the first day we had seen sun for over a week, indeed the first day with no rain for longer than that!


New Year walking II, Scarborough, North Yorkshire
Nex 7 E55-210 1/100@f9

Taken with the sun behind again to anonymise the people and to render them in a more abstract way.

New gallery on website - ~Venice - the people, the water

I have added another new gallery on the website and marks a slight shift with a whole gallery of people. There are only 8 images.


Gondola II
Nex 7 E55-21- 0.6 sec@f6.3 ISO 100

New gallery on website - Venice

Burano
Nex 7 E18-55 1sec@f18


I have uploaded a new gallery of 32 of my favourite landscape images from my recent trip to Venice. Let me know what you think.



Servizio Gondola?
Nex 7 18-55 3.2secs@f32
Taken in the Campo Santi Giovanni e Paolo at high tide with the steps covered and the sign collapsed. There were no gondolas there at the time we were.

Back from Venice

Gondolas and posts
Nex 7 E55-210 1/320@f5.6

Taken near Piazza San Marco in the most tourist dominated part of Venice I wanted to depict the vast number of thin posts that emerge from the edge of the water that the gondolas are tied to. In order to give scale and increase the impression that the posts go on forever into the mist I have used a large aperture (f5.6) and focussed on the front posts.


What a fantastic place Venice is! We spent a week there and were lucky enough to have every type of weather. I am now in the arguably enviable position of having to sort and process images from Cumbria and Venice.
Whilst I display mainly monochromes I do obviously take in colour and I am constantly experimenting with the processing tools - Adobe Lightroom and Photoshop. These images were over exposed and then I pulled the contrast back and tinted the whole yellow. So although it is a colour image I have removed the pure colours. 



Piazza San Marco colour study
Nex 7 E55-210

The fog allowed me to take this image of the square which was as usual full of tourists. I wanted to capture them but not have them as the dominant force in the image and the fog allowed this.

Rio dei Ghetto Nuovo
Nex 7 E18-55 1/30@f15

San Giorgio Maggiore colour study 2
Nex 7 1/125@f10

Rain! Rain! Rain!

I had planned a couple of days off this week where I was to travel to complete my current two projects, at least one of which only nee a couple more shots. Unfortunately it has rained continuously since I was free. Whilst I like going out and photographing in inclement weahter I need some dramatic skies to get the shots I feel are missing. The continuous amorphous grey is not helpful.

How do I prepare and take images in the rain? There are several things you can do:
1.  Cover your camera and lens - there are lots of rain covers on the market now or one can use a plastic bag. I always have a rain coat in my camera bag, but I always carry a clear polythene bag as well. This is far cheaper and all you do is cut a hole in one corner of the bag, which should be much bigger than your camera + lens combination. The hole can either be just the right size to slide the lens end through and then put the lens hood on, or just slide the lens hood through. The alternative is to fasten the bag onto the lens hood with a rubber band.

Loch Bay storm
Taken with the wind howling and rain pouring down I had the camera wrapped in a plastic bag and covered it with my body as long as possible. The wind added to the entertainment in getting the gear out and keep ing it all together and dry. I cleaned the lens incessantly and several times before taking a shot as it the rain came down from all angles. I therefore took several shots in order to try and get just one clean front element.


2. Use an umbrella

Downpour in Filey Bay
It was raining both out at sea and in Filey when I took this under an umbrella. It can be quite interesting holding an umbrella whilst setting up[ a shot. This one was OK as I had set up on a tripod before it began to rain where I was, as I had spotted the rain in the bay earlier. A few seconds later and there really was no shot at all, just a downpour.


3.  Shoot from under cover.

This was shot from under a covered walkway.

For this shot I hid in the shade of a building with the wind blowing the rain such that I kept dry.

4.  Use a longer lens with a longer lens hood.

When you are at the coast there is always a wind and so you need to work out what direction it is from and try to get the rain to fall on your back. That way you protect the lens. Always have a lens cloth so you can dry any stray raindrops from the front element just before you take the image.

So what can a photographer dp when the rain pours and the weather does not play the game? Well I have been tidying up my database and clearing out dud shots that somehow have got through the net. I know some keep all shots but I have found that I benefit from going through the images months after taking them to clear out ones that I am not happy with or cannot create anything from. Also I often find a gem that I have missed.

And if all else fails go abroad. Next week I am in Venice, which I know was flooded recently but that is part of the attraction. I have never been and so I am looking forward to it. I have seen many other photographers shots over the years but have purposely not looked at any recently, however I have studied some of the old master painters images. Their use of light is amazing, and I know they have a greater use of artistic licence than a photographer, especially one who only removes dust and adds nothing.


Incidentally it is sad to hear that the Landscape Photographer of the Year (Take a View) has been disqualified this year for removing boats and moving clouds. I do not mind this personally as long as he declares it, however he had not read the rules. There is an important lesson there: Never enter a competition without having read and digested the rules. This man is now besmirched with the reputation that ensues from this sort of result, especially as he enters a lot of competitions.